![]() ![]() At the beginning of the twenty-first century, issues of copyright and intellectual property rights seem to have become even more important than they were in the 1990s.Įxamples are taken from both the national and regional pop musics with attention being paid particularly to the emergence of “world music” or “fusion”, Islamic music and the Indie music scene. We ask how the different pop scenes comment on and act to change society in an age of shifting identities and sensibilities. The concept of “popular music” in present-day Indonesia is discussed briefly along with an analysis of how it is used in the negotiation of the identity of particular communities, playing a vital role in a dialogue of power at local, national and global levels. ![]() ![]() In this article we analyse some developments in the popular music of Indonesia, especially those that have occurred during the last five years. ![]()
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